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The question then becomes: what can you do to fix a boxy snare drum in the mix? Well, there are plenty of ways to approach this problem and a few specific fixes that work in just about every situation. Let’s look at what they are.
Mastering a song is one of those processes that seem like voodoo magic to some and a calculated, scientific practice to others. It combines elements of creativity, critical listening, audio engineering & extremely detailed monitoring to bring out the best aspects of each and every second.
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Do you guys use transient processors in your mixes or do you tend to stick to more conventional dynamic processors?
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Everybody's gotta start somewhere, even if it's just a freeware DAW and some basic panning & fader levels. What advice would you give your younger self when you first started mixing?
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Almost everyone recognizes that the kick and snare are the driving elements of most drum kits, but few seem to give much thought about how they work together in a mix.
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