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Looking to unlock your in-the-box guitar tones by adding impulse responses (IRs), but not really sure where to get started? Fear no more! This guide will serve as your step-by-step tutorial on loading IRs into your session and how you can find the perfect IR for your song.
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When you go to try out a new guitar amp, what’s the first thing you do? For some, they’ll poke around with it timidly in the store, turning it up to just shy of the 1 notch on the volume knob. On the other end of the spectrum, you’ve got the guys that crank everything up to 10.
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Tracking guitars can be an extremely long process that requires an acute attention to detail – not just from the guitarist, but the engineer/producer as well.
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We’ve gone into how to use impulse responses in your mixes before, but we haven’t done a deep dive into what makes a good impulse response (and why it matters so much).
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Part of the appeal of recording at a large studio is their expansive backline. Bigger studios will usually have dozen of options to choose from, which means lots of amps, microphones & preamps to mess around with!
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